Photograph by Mark Lomas

Photograph by James Dodd

To celebrate our 1 year anniversary – slightly belated as we launched in April 2009 – we are opening our doors to membership applications.

If you are interested in joining the collective, then please submit your portfolio (along with a link to your work), a statement and or a photographer bio to:

join@statementimages.co.uk

Deadline for applications is: 12pm GMT on 1st September 2010

A decision will be made and announced shortly after this and feedback for applicants will be available.

Printed portfolios or books can be seen if desired. Should they wish to, applicants can make their own arrangements to deliver and collect their portfolios. Statement Images members take no responsibility for any portfolios sent by the post. All materials should be clearly labeled with contact details and will be ready for collection in September.

Submissions guidelines:

• Digital submissions should be sent to join@statementimages.co.uk
• You should submit no less than 10 images, but no more than 50.
• Email submissions with a greater attachment size of 5MB should be sent via a service such as: http://www.yousendit.com
• The resolution of each digital image should not exceed 1000 pixels on the longest side.
• Images should be in JPEG form with compression of 8-10.
• Submitted images should be numbered sequentially, in the order you wish them to be viewed and contain your name. eg: photographer_01.jpg etc.
• Images should have captions/descriptions where appropriate, included via meta information or a separate file
• Video submissions should be made via web link on services such as http://www.vimeo.com/ or DVD entries (please contact join@statementimages.co.uk for a postal address)
• Please be sure to include a statement about your work, a resume or bio and any current contact information.
• If you wish to submit printed works, portfolio or books for consideration, then please contact join@statementimages.co.uk to make arrangements.
• If you would like to make arrangements collect your physical submissions you may do so by contacting join@statementimages.co.uk

If your portfolio don’t meet these requirements then it may not be considered.

We look forward to your submissions.

Please help support the haiti appeal.

Photographers are auctioning off images in the following flickr group:

www.flickr.com/groups/charityprintauctions/

The image to the right is my offering, which will be printed at 16.5 × 11 inches (A3ish).

To place a bid on any of the images in the group do so on the images comments section. The amount of your bid that will be donated to the charity and the phootographer will pay the print and delivery fees.

There are more details in the group at:
http://www.flickr.com/groups/charityprintauctions/

and you can bid on my print at:
http://www.flickr.com/photos/jamesdodd/4276152805/

update:

the print sold for £80 ($130) to tala- who chose this image (after I gave the winner the chance to chose almost any image from my collection as opposed to the original offered).

http://jamieslist.wordpress.com/2009/12/10/internship-for-james-nachtwey-nyc-unpaid/

please not that in this scenario boy could be girl and girl could be boy, boy and girl could also be the same person, in which case would usually be a girl but also possibly a boy:

boy: hi, girl.
girl: hi boy… oh wow! whats that?
b: it’s a film camera… used to belong to my dad or something?
g: nice.
b: oh you’re one of them beautiful people aren’t you?… I have an idea.
g: what?
b: lets go to the woods and you can take off your clothes and be mysterious and stuff.
g: that sounds like it’s just up my street because I’m so quirky and unique.
b: yea you are… we both are… and so is my photography.

[group hug]

OK, that’s one scenario, but for anyone still wondering what type of photography I’m discussing, here’s a nice little list of some common features for you.

naked people in wilderness (with or without snow), people facing away as they enter water, people facing away in wilderness (with or without snow), naked people in water. naked people looking vulnerable. deers and similar animals (including horses + with or without snow). hunters. dead animals. dead animals on walls. dead animals as rugs. dead deers. dead horses. bears. strange trees. strange dead trees. mysterious floating limbs. people who seem to be trapped in the past. mysterious limbs entering water. portraits of the elderly looking vulnerable. people photographed naked on their bed looking vulnerable. just pretty girls. just boobs of pretty girls. people wearing masks. etc. etc.

I’m pretty sure most photographers could tick a few off on that list (myself included), so it’s not that I don’t like the subjects or the aesthetics. It’s more how they seem like the easy option. The HDR, sunsets and kittens for the more established tastes of photographers.

I just fail to connect with these sorts of pictures anymore. For most the results seem empty and meaningless surface layered images, but with the added fluff of poetic quotes, song lyrics, artist statements and a bit mystery to go along with the T&A!

There are hundreds of photographers out there produce similar work. Similar looking subjects in similar looking surroundings, composed in similar ways. So it’s no surprise that you may find that this work can blur together.

And because there are so many photographers producing this sort of work I really do have to question whether they are indeed showing parts of their lives, or whether it’s simple a more contrived process, all in the aim of getting a bit of attention.

Anyway, I suppose the thing I’m trying to question is that if these images are preconceived, what is the point in taking them? Can they truly hold any more value than a simple landscape? A pretty pretty? a kitten or puppy? or baby in a bucket?

Are these images simply destined to be the new commercial wall art? The HDR sunsets for those with a more educated photography palette?

Then again, maybe it is me who is missing something? Maybe there are thousands of  young, skinny, beautiful and naked people out there, dancing in the moonlit woods, around campfires while people take their pictures, performing for the cameras. Young, skinny, beatiful and naked people who sit on their beds looking expressionless, while deers stalk the outsides of the snow ridden fields and stuffed bears stand tall in the hallway on leopard skin rugs?

I have two 30 second videos featured in art in unusual spaces as part of the Short Shorts showreel.

Thes videos are excerpts from the ballroom video and some swimming footage.

The projection will (hopefully) play from dusk until dawn daily between 4th dec -27th feb.

42 New Briggate
Leeds, LS1 6NU.

www.artinunusualspaces.co.uk/home/

“Knowing it’s not a formula, I know that I have to keep shaking these up, so I do something fast, then do something that takes years, trying different things. Do the stuff where I work alone, do the stuff where I work collaboratively. Sometimes it will fall flat, but hopefully magic will strike at some point.”

Alec Soth – Interviewed by Big Red & Shiny

While I usually find photographers musings on why they do what they do, to be more than a little whimsical, I really did agree with Soth here.
There isn’t a set formula to photography (books and project making) or if there is people keep it to themselves. So to a certain extent a perfect method or system can’t exist. And despite this, I still search for one. And in a way photography almost becomes a never ending quest for the the holy grail. My only hope is that I don’t ever find it, because at that point I may possibly lose interest in photography.

We buy into it on some level tho. Even if we are only using it as more of a networking attempt and news distribution platform than a check up on the celebs and gossip sheet.

Anyway, our account is @statementimages. Be sure to follow us.

We’ll be updating it with site activity, project news and loads of stuff from the larger community base we’re part of.